"Yaliwunga (Always)"
Reflecting on 50 years of NAIDOC—50 Years of Deadly—this artwork draws on the continual movement of water as a powerful metaphor. It illustrates yaliwunga in the act of the tide, always returning, always showing up, always doing the work. The piece serves as a visual call to action, urging ongoing calls for change with the bare minimum of respect, and, recognition across the broader landscape of this country. Like the tide’s constant presence, mob continue to show up—always in motion, always coming together, always working towards sustaining the currents of voice, treaty, and truth within the national conversation. Through renewal, transformation, and adaptability, we mirror the tide itself: restless yet resilient, enduring and powerful. Yaliwunga nguwa, yaliwunga dhirrabuu (always here, always deadly)
- Leah Brideson
or 4 interest-free payments of 4 x $0.87 with 
Leah Brideson
A great deal of my artistic vision and inspiration comes from the changing landscapes in my home town, on country and from my journeys to ocean country and beyond.
Celebrate NAIDOC Week 2026 with this elastic wristband, designed to honour 50 Years of Deadly — recognising the strength, resilience, and culture of Aboriginal and Torres Strait Islander peoples.
Made from soft, flexible polyester, this wristband offers a comfortable fit for everyday wear. The one-size-fits-most design features a contrasting closure band for a secure and stylish finish.
Each wristband showcases authentic Indigenous artwork, making it more than just an accessory — it’s a meaningful way to show your support, spark conversations, and stay connected to culture during NAIDOC Week and beyond.
Still Deadly. Always.
.: Soft, elastic polyester
.: One size fits most
.: Contrasting closure band
.: Features authentic Indigenous artwork
.: A meaningful way to celebrate NAIDOC Week 2026
ETA Mid April 2026
IMPORTANT: All print-on-demand products are custom-made and cannot be returned or refunded. We appreciate your understanding that these items are created specifically for you upon order.
Showcase your brand's commitment to diversity and cultural heritage by customising and branding products with BW Tribal. When you choose to align your business with our 100% Indigenous-owned brand, you're doing more than just adding a logo to a product. You're championing the stories, traditions, and artistry of the Indigenous community.
Every customised product tells a narrative of resilience, pride, and the rich tapestry of Indigenous Australia. Support the Indigenous community, promote cultural awareness, and infuse your brand with purpose. Make a statement that resonates - choose BW Tribal for meaningful branding that makes a difference. Stand with us, support Indigenous heritage, and let your business be a beacon of positive change.
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"Yaliwunga (Always)"
Reflecting on 50 years of NAIDOC—50 Years of Deadly—this artwork draws on the continual movement of water as a powerful metaphor. It illustrates yaliwunga in the act of the tide, always returning, always showing up, always doing the work. The piece serves as a visual call to action, urging ongoing calls for change with the bare minimum of respect, and, recognition across the broader landscape of this country. Like the tide’s constant presence, mob continue to show up—always in motion, always coming together, always working towards sustaining the currents of voice, treaty, and truth within the national conversation. Through renewal, transformation, and adaptability, we mirror the tide itself: restless yet resilient, enduring and powerful. Yaliwunga nguwa, yaliwunga dhirrabuu (always here, always deadly)
- Leah Brideson
I am Leah. I am an Aboriginal woman born in Canberra, ACT. My mob are Kamilaroi from my Grandmothers country in the Gunnedah region. I am a self-taught Contemporary Aboriginal Artist and began painting at a very young age. I have been painting in a professional capacity for over 7 years.
"Art is such an important platform to share my culture with the wider community. My art is like a 'visual yarn', people really connect with the stories and meaning behind the work".
A great deal of my artistic vision and inspiration comes from the changing landscapes in my home town, on country and from my journeys to ocean country and beyond. I use layers of fine dotting, line work, colour gradients, Aboriginal symbolism and my signature style of 'cracked earth' landscape throughout my paintings. Kamilaroi country is often dry and cracked, but rich and deep in history, culture and story as represented by the space in between the cracked earth. I pay great attention to detail, natural patterns, light, shade and texture in the landscape.
My paintings often work between two perspectives; landscape and birds-eye view. Through a birds-eye view, I generally map the journeys in which I take, along with my ancestral and cultural ties. As I learn more about my culture and discover my ancestors’ footprints in the landscape, I feel the urge to paint my story, my sense of place.
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BW Tribal acknowledges the Quandamooka People, the Traditional Custodians of the lands, waters and seas where we stand today. We recognise and celebrate the diversity of Indigenous people and their enduring cultures and connections to Country. We pay our respects to Elders, past, present and emerging, and recognise the Indigenous people that contribute immensely to the development of this resource.
