Ripple Effect
This artwork is a symbolism of the ripple effect of change, where each individual is an essential part of the wave. A collective voice, whilst acknowledging and celebrating individuality, is represented in the concentric circles. The U shaped figures are individuals coming together to create the wave of change through a shared lens.
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Leah Brideson
A great deal of my artistic vision and inspiration comes from the changing landscapes in my home town, on country and from my journeys to ocean country and beyond.
Made from soft 170 gsm Palin polyester staple fibre, our women's fashion tops combine the beauty of contemporary Indigenous art and unparalleled comfort. Be a part of the movement and make a statement with our one-of-a-kind fashion tops.
.: 170 gsm Palin polyester staple fibre
.: Classic, crew neckline
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Ripple Effect
This artwork is a symbolism of the ripple effect of change, where each individual is an essential part of the wave. A collective voice, whilst acknowledging and celebrating individuality, is represented in the concentric circles. The U shaped figures are individuals coming together to create the wave of change through a shared lens.
I am Leah. I am an Aboriginal woman born in Canberra, ACT. My mob are Kamilaroi from my Grandmothers country in the Gunnedah region. I am a self-taught Contemporary Aboriginal Artist and began painting at a very young age. I have been painting in a professional capacity for over 7 years.
"Art is such an important platform to share my culture with the wider community. My art is like a 'visual yarn', people really connect with the stories and meaning behind the work".
A great deal of my artistic vision and inspiration comes from the changing landscapes in my home town, on country and from my journeys to ocean country and beyond. I use layers of fine dotting, line work, colour gradients, Aboriginal symbolism and my signature style of 'cracked earth' landscape throughout my paintings. Kamilaroi country is often dry and cracked, but rich and deep in history, culture and story as represented by the space in between the cracked earth. I pay great attention to detail, natural patterns, light, shade and texture in the landscape.
My paintings often work between two perspectives; landscape and birds-eye view. Through a birds-eye view, I generally map the journeys in which I take, along with my ancestral and cultural ties. As I learn more about my culture and discover my ancestors’ footprints in the landscape, I feel the urge to paint my story, my sense of place.
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BW Tribal acknowledges the Quandamooka People, the Traditional Custodians of the lands, waters and seas where we stand today. We recognise and celebrate the diversity of Indigenous people and their enduring cultures and connections to Country. We pay our respects to Elders, past, present and emerging, and recognise the Indigenous people that contribute immensely to the development of this resource.